On June 18, 1991, Queens-based rap trio 3rd Bass released their second and final studio album, Derelicts of Dialect. Arriving two years after their critically acclaimed debut, The Cactus Album, the project was tasked with following up on one of the most boundary-pushing entries in late-1980s hip-hop.
Comprising MC Serch, Prime Minister Pete Nice, and DJ Richie Rich, 3rd Bass stood out not just for their lyrical skills but for helping to redefine the genre’s perceptions. As one of the earliest interracial groups to gain traction in hip-hop, they challenged expectations in an industry still grappling with race and authenticity.
Originally signed to Def Jam, 3rd Bass inherited more than just a record deal. With the Beastie Boys leaving the label on less-than-amicable terms, 3rd Bass found themselves at the center of a cold war between their label and the trio of Ad-Rock, MCA, and Mike D. They made their stance clear, taking shots at both the Beasties and MC Hammer on The Cactus Album.
With Derelicts of Dialect, the trio zeroed in on Vanilla Ice, whose mainstream success was often met with skepticism in hip-hop circles. Their lead single, “Pop Goes the Weasel,” took direct aim at Ice, criticizing his perceived appropriation of the culture. The video, featuring punk icon Henry Rollins dressed as Vanilla Ice, ends with 3rd Bass delivering a symbolic beatdown.
Despite the momentum, Derelicts of Dialect would be 3rd Bass’ swan song. The group quietly disbanded not long after the album’s release. Years later, in 2013, Serch hinted at a potential reunion to celebrate The Cactus Album’s 25th anniversary, but the comeback never fully materialized.
Still, Derelicts of Dialect remains a culturally significant project, both for its lyrical content and for the space 3rd Bass carved out in a rapidly evolving hip-hop landscape.